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Sunday
May022010

3 Month Master Program Summer 2013

Study with 5 Masters-Unique Intensive Program offered no where else but at BACAA

Summer Intensive Master Program

Only a few spots remaining in each program

Intensive Course in Long Pose Drawing, Painting, Structure, Anatomy and ecorche.

June 17– August 29, 2013

10:45 a.m.-5:00 p.m

Chose One of all any month or individual workshops.

 

This program offers unparalled opportunity for students to have the instructors teaching every day. 

 

 

 

This program will educate you in the techniques of the old masters. You will learn, anatomy structure, drawing painting, color. Sessions will include lecture demos, focused individual time with the instructors.

In addition you will have the opportunity to work from museum master copies and sculptures.

Most importantly you will enjoy the collaboratation and the community  of like-minded artists.

This program is open for Adults to build an impressive portfolio

 

Specify which Workshop

Cost:$2450 Regular registration 1 month

Cost: $1225 for 10 days

Receive additional discounts: 5% for 2, 10% for 3 session only for month long programs

Pay now by PayPal or Credit Card
(PayPal & Credit Card payments include PayPal fees)
Partial Payments not accepted. All registration fees are non refundable and non transferable 

Choose 1, 2, 3 or all 4 Sessions
Choose your sessions or ALL

Choose individual 10 day Workshops
Specify which Workshop

3 Month Program Registration (PDF)

Contact:

Info@bacaa.org
650-832-1544

Location BACAA Studios
345 Quarry Rd, San Carlos CA. 94070

Testemonials

 “Thank you for all you do to help so many of us! Best,” Shyrl

Tuesday
Jul062010

Advanced Artistic Intensive Workshop - Gross Anatomy December 2013 & January 2014

Workshop at BACAA & Medical University

5-Day Advanced Artistic Anatomy Intensive

December 2-6, 2013

10-Day Advanced Artistic Anatomy Intenesive

January 27-Feb 7, 2014

A few spots remaining-Both workshops are filling up.

Michael Grimaldi - Instructor
Dan Thompson- Instructor

 Offered at BACAA Studio & Lab at /Medical University
A rare and unique opportunity to further the understanding of the human anatomy and structure.
 
Course Overview:
The intensive study of artistic anatomy, perspective, color theory, optics and composition lies at the foundational core of a figurative artist’s overall training. Through the in-depth study of these subjects, students gain an advanced ability to perceive and apply these fundamental concepts to their sustained investigations into the interpretation and expression of the human figure. By separating the concepts, studying them independently, re-constructing and combining them with the other elements towards the creation of well-unified and holistic drawings, paintings and sculptures students acquire the advanced knowledge and ability needed to perceive the visual experience with intelligence while cultivating an ability to utilize methods of objective analysis towards the creation of unique and personal work.
The Advanced Artistic Anatomy program at BACAA is a focused, intensive one-week course that is designed to prepare students to successfully apply advanced knowledge of the form and function of the human body (anatomy, morphology, and structures of the human figure) to their ongoing studies in drawing, painting and sculpting from direct observation through the hands on study of cadaver anatomy juxtaposed against the study of the live model.  This concise, cohesive and formulated program will increase artists ability to effectively interpret gesture, proportion, perspective and light and shadow from the often subtle and dynamic forms of the human figure from life.  

Each lab visit will focus on specific, overlapping sections of the human figure. Starting with a lecture/demonstration by the instructor identifying the origin, insertion and action of each muscle and their effect on the surface anatomy, students will work on drawings and anatomical diagrams and will participate in hands-on exploration of the human body with the cadaver specimens allowing profound three-dimensional insight into the form and function of the human figure. The end of each session will prepare for the following class by surveying the surface structures to be exposed and studied on the next lab-visit. 
Each Studio session will begin with a lecture/demonstrations that focus on the use of anatomical knowledge to identify and interpret the effects of gesture, proportion, perspective and morphology from the live model. Each studio class will  continue with long-term drawings and exercises that focus on developing strategies to interpret and utilize advanced anatomical principles.  

Historical Overview:
Since the onset of the Italian Renaissance, an artist’s training and mature works were defined by the thorough study of the life sciences as a means towards a greater understanding of the cognition, perception and expression of visual phenomenon. In addition to optics, geometric and optical perspective, the thorough study of human and comparative anatomy proved to be an essential component in the accurate representation of the form, gesture and expression of the human figure. In the early Renaissance, students who apprenticed in their master’s studios were expected to compare their studies and observations of the live model with classical Greek and Roman sources (including frescos, sculptures, and typically the anatomical research of Aelius Galenus whose observations formed the basis of much anatomical an medical assumptions for more than a millennium).
Many Italian renaissance artists (including Leonardo da Vinci, Michelangelo, Raphael and Titian) as well as their northern counterparts’ (including Durer) formal training in the anatomy of the human body began during their apprenticeships where their masters, who insisted their pupils study topographical anatomy and execute numerous drawings and studies of the skeleton and visible anatomical features. As successful, working artists, many were granted permission to dissect human cadavers in the hospitals of Florence, Milan, Rome and Venice. Upon their deaths, these pivotal artist’s drawings and studies of the human form were shared with the other teaching workshops and ateliers in Italy — increasing artist’s access to leading edge scientific inquiry and assuring further advances in the arts and sciences. 
Leonardo da Vinci’s Treatise on Painting (done in collaboration with the doctor Marcantonio della Torre, published posthumously in 1680), Albrecht Durer’s Codex on comparative anatomy and proportional canons, and Vesalius’s De Corporis Fabrica (published in 1543 and assumed to be illustrated by Titian’s student, Jan Stephen van Calcar) are still common in the libraries of today’s classically trained, figurative artist. Later works including Albinus’ Tabulae Sceleti et Musculorum Corporis Humani (1749), Dr. Paul Richer’s Artistic Anatomy and Pierre Nicolas Gerdy’s Anatomie des formes extérieures du corps humain, appliqué à la peinture, à la sculpture et à la chirurgie (1829) became practical textbooks that defined the intensive curriculums of 19th century academies in Paris, Munich, Berlin and St. Petersburg in addition to the American schools that followed the European Academy’s teaching model (including Pennsylvania Academy of Fine Arts, The National Academy of Design and the Art Students League of New York) where anatomy and dissection were requisites for anyone wishing to pursue a career in the fine arts. 
Despite the advances in the knowledge and expression of the human figure, the twentieth century witnessed the near disintegration of academic arts training that links the discoveries of the past with contemporary expression. When the scientific aspects of classical drawing, painting and sculpture were abandoned it created, in its absence, a void in the holistic training of artists: one where subjective interpretation outweighs objective inquiry. While broad based and effective in creating theoretical dialogue and rhetoric, the current trend typically neglects practical and focused skills in the essentials of an artist’s training: most notably, in the in depth study of the human figure. The deconstruction of the science-based methods of investigation (resulting from the assumed decrease of relevance of classical, foundational knowledge pertaining to the study of art; the waning presence of the human figure as a vehicle of expression; and the increased specialization and separation of the arts and sciences) contributed to the complete disappearance of the intensive hands-on study of anatomy from most art school curriculums.
Michael Grimaldi - Instructor
Dan Thompson- Instructor
5-Day Advanced Artistic Anatomy Intensive Workshop at BACAA and Medical University
December 2-6, 2013
Fee: $700 for 5 days
Pay now by PayPal or Credit Card.
(PayPal & Credit Card payment include aditional fee) 
Fee: $250 lab fee 
10-day Advanced Artistic Anatomy Intensive Workshop at BACAA and Medical University
January 27-Feb 7, 2014
Fee: $1100 for 10 Days
Pay now by PayPal or Credit Card.
(PayPal & Credit Card payment include aditional fee) 
Fee: $500 lab fee 

 
Wednesday
Jul072010

Dan Thompson June 2013

Dan Thompson June 3-14, 2013

Closed

Taught at BACAA

07,08,09,10,11,12

Purpose of the Course:

This course is being offered in accordance with a three month master program for motivated students of figurative life drawing and painting.  
By launching the summer program, this intensive course plans to set a vigorous pace by providing a range of lessons involving the development of a figure drawing or painting from direct observation.  
Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying

Thursday
Jul082010

Travis Schlaht June 2013 Summer Intensive-New

Self Portrait in oilTravis Schlaht June 17-28, 2013
Portrait Painting Program 

Only 1 spot remaining

Over a two-week period participants will have the opportunity to draw and paint from a single portrait pose.  We will begin with a drawing, which will cover concepts such as the block-in and basic construction so as to address proportional issues within the figure.  

At this time the group will also be introduce to the basic ideas of modeling through the concept of form.  

The resulting drawing will then be transferred to linen for painting. In the painting process participants will apply their understanding of values as it relates to the forms on the figure. Everyone is encouraged to work with an open pallet, full color, as is the individual’s comfort level.   

Throughout the workshop there will be instructional demonstrations, however, the primary mode of a teaching will be done by direct interaction between the instructor and each individual participant

 

 

Please check the BACAA About US page for local accomodations and affordable housing.

Cost: $1225 Travis Schlaht Only (10 Days) 

For Materials list Contact Linda@bacaa.org

All tuition fees are non refundable and non transferable

Choose Whole Session or Travis Schlaht Only

Please check the BACAA About US page for local accomodations and affordable housing.

Partial Payments not accepted. All registration fees are non refundable and non transferable 

3 month master program (PDF) 


Thursday
Jul082010

Michael Grimaldi Summer Intensive July, 2013

 Michael Grimaldi And Stephen Perkins teaming up for this dynamic Duo to teach July summer intensive 2013

Taught at BACAA 06, 08, 09, 10, 11,12x2


Only a few spots remaining

1 month Master Summer Program

July, 2013 

July 8-19th, 2013

10 Day Structure and Anatomy Drawing & Painting

To register for July summer program scroll below.


Cost: $2450 Regular registration 4 weeks
Cost: $1225 Michael Grimaldi only (10 Days) 

1 month Master Summer Program

Portfolio Required

Limit 17 students. This is the second month of the BACAA 3 month Master Program

Recieve additional discounts: 5% 2 sessions 10 % attending 3 month long sessions 

Partial Payments not accepted. All registration fees are non refundable and non transferable

Pay via paypal includeds paypal fees.

Choose Whole Session or Michael Grimaldi only

Please check the BACAA About US page for local accomodations and affordable housing.

Partial Payments are not accepted
Terms and conditions must be signed prior to attending
Fees are non refundable and non transferable.

3 Month Program Registration (PDF)

Michael Grimaldi’s website: http://www.michaelgrimaldi.net/

Featured in Star Wars Art: Visions book 2010


Friday
Jul092010

Stephen Perkins-Ecorche ~ Summer Intensive 2013

Stephen Perkins 

Only a few spots remaining

Figure and Portrait Structure in Clay~

July 22-Aug 2nd, 2013

Working in clay from instructor demonstrations and life models, students will proceed with a thorough and systematic examination of the form of the human body.

A separate study will be made of the portrait head , hands and feet. We will work from start to finish in the manner that  you would model these forms in sculpture but the difference will be that we will take it slow and analyze each step in depth, what exactly the form is and how it relates to the larger unit.

Working in a hierarchical manner the class will proceed from large masses, through the middle stages of modeling to the smaller forms and on to the detail stage. We will work on a full figure at about half life size, a head study at life size, a hand and a foot both at life size, possibly an arm as well. 

This class is not so much focused on the production of a work but on the obtainment of understanding with which one can produce many works. We are not so much focused on individual models or portrait heads as we are in what all human heads and figures have in common. Human form follows an essential pattern locked in our DNA and we are all identical in this patterning of the forms.

If you learn the forms that make up a human nose or ear then you will understand all noses and ears. Just as we are all identical in the patterning of our forms, we are all completely unique. That uniqueness comes in our proportions. Individual models will vary, we all vary. Here , we are interested in learning a kind of mental map of the forms that are common to all humans. It used to be said that each artist had a “secret figure” in his or her mind. That was no more than their combined understanding of the forms and mechanisms of the human body.

With that understanding, one can understand more of what they see. We create art not so much with our eyes as with our brains. This class aims to increase the understanding of forms of the body. 

Subjects covered will be the large masses and their rhythmic relationships, the movement of those masses to create the specific gesture, plane structure, geometric blocking and wedging of forms, volume, the hierarchical breakdown of forms from large to small, the emotional expression of the figure, facial expression and other topics. In depth anatomy in the forms of ecorche will not be covered. That is another topic for another day. We will cover anatomy to some extent but this class looks more at the forms of the body as they appear before us

1 month Master Summer Program

Sculpting Materials $175 payment due 2 weeks prior to start of class.

Portfolio Required

Please send us an email to be put on a waiting list.

Limit 17 students. 

Cost: $2450 Regular Registration  4 weeks
Cost: $1225 for Stephen Perkins only (10 Days) 

Recieve additional discounts: 10 % for 2 sessions, 15% for attending 3 month long sessions 

Pay now by PayPal or Credit Card 

All tuition fees are non refundable and non transferable

Choose Whole Session or Stephen Perkins only

Please check the BACAA About US page for local accomodations and affordable housing.

Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to attending

3 Month Program Registration (PDF)

Info@bacaa.org

Friday
Aug062010

Jon deMartin Summer Intensive August 2013

GildaJon DeMartin 

 August 5-16, 2013

Open spots

Taught at BACAA 07, 08, 09, 11,12

Drawing is the foundation of all successful representational life painting. The goal of this workshop is to lay a foundation and clear methodology for both drawing and painting the human figure from life. The four-week intensive workshop will be dedicated to a thorough program of life drawing and painting from the human figure.  One week will be devoted to the head (and its features); and one week to the figure as a preparation subsequent two-week life figure painting.  There will be lectures and demonstrations for each morning session to review clear objectives that will be set forth during the day. As drawing exercises, we will analyze the head and figures gesture, proportion, shape, and structure, for the successful outcome of modeling form.  Several sessions will be dedicated to short poses. This is to reinforce the importance of gaining more control of our drawing by learning to not only draw what we see, but to draw what we know. 

In the figure Painting aspect of the workshop we will begin by studying basic color theory by reviewing the color wheel and how it applies to the human figure. A palette will then be set up to give the student a solid basis for their color mixing. Lectures and demonstrations will be given on light, form, color, direct and indirect painting. The students will transfer (or refer to) the life drawing study from the second week as a basis for their subsequent life painting.  This will maximize their ability to concentrate on the modeling of form through hue, value and chroma.

Please check the BACAA About US page for local accomodations and affordable housing.

For Materials list
Contact Linda@bacaa.org

Aug , 2013 - 1 month summer program

This is the second month in the BACAA 4 Month Master Program

Cost: $2450 Regular registration  4 weeks
Cost: $1225 Jon deMartin only (10 days)

Recieve additional discounts: 5% for 2, 10% for 3 month long sessions 

Pay now by PayPal or credit card. 

Choose Whole Session or Jon deMartin only

Portfolio Required

Limit 17 students

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying

3 Month Program Registration (PDF)

Victoria


Featured on Star Wars Visions book 2010

Testemonials

That was such a great workshop with Jon. I loved it. Thank you for inviting him to Bacaa. He is such an amazing teacher. “Wendy Johnson.

“I thoroughly enjoyed Jon’s workshop.  I learned a lot, met interesting people, got to spend enough time focused on drawing to make good progress and have exercises to practice that will make the week all the more valuable.  All and all a great experience.  

Many people have visionary ideas.  Few do anything about them.  Only a few of the few make their ideas happen.  Your vision of gathering together artists and students to pass the knowledge and traditions along came alive last week.   I congratulate you for putting it all together and making it work so well. 

My thanks and best wishes, 

Joe Gurkoff”

    

 

Friday
Aug062010

Juliette Aristides Summer Intensive August- 2013

Juliette Aristides 

August 19-30, 2013

A few spots remaining

Taught at BACAA 2007, 2008, 2010, 2011, 2x 2012

Build your artistic vocabulary as you work sequentially to complete one finished figure painting.  In a methodical, step-bystep process, learn the methods of oil painting from the initial color sketch to the final glaze. Over the course days we will dive into painting related issue while exploring the artists most fascinating subject matter- the human figure. You develop a preliminary drawing to ensure accuracy and likeness, create a monochromatic or color study to analyze shape, tone and composition and transfer your drawing to canvas o panel as you execute your painting in full color. Lectures and individual instruction aid your artistic progress. This workshop provides you with the necessary tools to bolster your artistic confidence. Much of the personal growth of the artist comes from having the right tools for self-correction and problem solving. With that in mind throughout the class, you participate in discussion on materials, methods and techniques to equip you with every possible tool for your future artistic growth. Beginners through advanced students are welcome. You are met at whatever your skill level.  Please check the BACAA About US page for local accommodations and affordable housing.

For Materials list

 

Cost:$2450 Regular registration 4 weeks
Cost: $1225 Juliette Aristides only (10 days)

Recieve additional discounts: 5% for 2, 10% for 3 month long sessions 

Contact Linda@bacaa.org

All tuition fees are non refundable and non transferable

Registration form/Terms and conditions must be signed prior to attendance

Pay now by PayPal or Credit Card

Choose Whole Session or Juliette Aristides only

Limit 17 students

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to attending

3 Month Program Registration (PDF)

Books by Juliette Aristides.

 

See Juliette’s Art on your iPhone

 

 Testemonials:

“I really had a wonderful time in Juliette’s class and it was great to see you again Linda!” Dr. Gallegher.

~~~

Dear Linda,

A big overduee and sincere thank you for facilitating that wonderful summer course I took with Michael Grimaldi and Juliette Aristides.  I was challenged and inspired and came away with the tools that have taken my art to a new level. Thank you so much! Ann

To Juliette from workshop students~

Finally a moment to sit down and write you a huge thank you for the fabulous workshop. I knew it would kick my butt technically but I had no idea that it would also be so affirming of the why of Art making. I loved all our discussions and your ideas. 

And technically the workshop was fabulous. I have been exposed to most of the concepts of the class at one time or another but never been able to make sense of them as a whole integrated process. It was a real breakthrough for me. It left me with lots to think about and practice in this next year. – Sarah S.
Thank you so much for the fun week! I felt that I have learned a lot not just about painting, but the way of living and to see art. I certainly will attend more of your workshops. – Eileen Z.
LOVE being in your workshops! The philosophical and practical blending you do satisfies so many different parts of my psyche that I always feel tremendously enhanced and advanced by any time spent with you!
I think that you are remarkable and a treasure as an artist and a teacher, so thank you beaucoup and encore for all you have done and are doing to create beauty/truth and to help your students grow as humane artists! - Shyrl M.
Tuesday
Nov012011

Gundula Jacobs Master Still Life and Floral Workshop March 2014 and Lanscape Painting in the Loire Valley, France June-2014

Master Instructor Gundula Jacobs from France 

Two Workshops 

Workhop # 1
15 Day Still Life Painting
March 10-28 , 2014
BACAA San Carlos Studios

 

Workshop # 2

10 Day Landscape Painting in the Beautiful Loire Valley June 2014.

Join us for this rare and wonderful opportunity to paint Still Life and Flowers in our beautiful studio at BACAA. Learn to create beautiful paintings using solid methods with master painter and instructor Gundula Jacobs. Gundula has been a life long artist who’s work conveys exquisite beauty of the natural forms.

Course description.

We work in oils. The style is contemporary realism, entirely based on observation without using preconceived ideas or formula painting. We work a la prima, Italian, meaning  to the first , a traditional technique that paints the desired effect almost entirely in fresh paint without applying a succession of layers (glazing). Even if we see everything we don’t notice many things therefore learning how to paint means learning to perceive and interpret the subject. For example it is important to find the relationships between the painted tonalities, that is colored values. A special exercise will enable the student to find them and to fine-tune his or her color perception. Besides training of perception the painter will learn technical skills, methods how to actually paint what he or she perceives. That includes the proper use of brushes to make roundness, treat edges, to obtain an illusion of atmosphere. After all, we paint light diffusion on a subject rather than things. We will also explore the action of light and examine structure and its importance for realistic painting. A weekly one or half day session to study flower painting. A special challenge, because flowers are living things that unite many drawing and painting problems.

The students choose a still life to work from among 3 setups, offering different themes and types of textures to study. Glass, metal, wood, pottery, fruit etc. One of the still life will include drapery, which is an excellent subject to study light on form, structure, movement, the same problems we encounter in working from the live model. Daily syllabus will be given to students.

Gundula Jacobs is a highly experienced artist, born in Germany in 1959. She emigrated to San Francisco, USA, in 1978. In 1990 she moved to France and permanently established herself in the beautiful region of the Loire Valley, Her classical, however contemporary still life as well as typically French landscape paintings are inspired by seasonal changes and the beauty of the rural Loire environment. Art Studies 1986-1987  San Jose State University, CA 1987  Margaret Leighton Studio, San Francisco 1987-1988  New York Academy of Art 1988-1991  Art Student’s League of New York 1991-1995  Ecole Albert Defois, with Ted Seth Jacobs Exhibitions 996  Magidson Gallery, New York 2000 Cultural Center, Palace of UNESCO, Beirut, Lebanon 2001  Hôtel Intercontinental, Genève, Suisse  2002  Galerie D’Outre Maine, Angers, France  2002   Péristyle Molière du Théâtre, Saumur 2002 Salon de Trélazé,  first prize 2002   Salle des Arts, Doué-La-Fontaine 2003  Hôtel de Ville, Cholet 2003  Hôtel des Vins,  La Godeline, Angers 2003  Brigham Gallery, Nantucket, USA 2003  Château des Carmes, La Flèche 2008  Salon de Challain-La-Potherie, first prize 2008  Quidley & Co. Gallery, Boston, USA 2009  Chapelle des Cordeliers, Parthenay 2010  Château de Maupassant, Vihiers 2011, Les Halles, Beaufort -En-Vallée  2012  Galerie des Arcades, Bressuire Since 2004 Gundula Jacobs exhibits regularly in her Anjou region (Loire Valley). Her work is  represented in private collections in France, Germany,  Holland, Switzerland,  Austria, England, Ireland as well as Canada, USA and Mexico.

March 10- 28, 2014 10:45-5:00pm

Cost: $1950 - Early registration by June 30th 2013

Cost: $2100 -Regular registration after June 30th, 2013 Skill Level: Beginner - Advanced

Location: BACAA Studios 345 Quarry Rd. San Carlos, CA 94070

Pay now by Paypal or Credit Card

Parial Payments not accepted. All registration fees are non refundable and non transferable.

15 day workshop (pdf)

Contact:

Info@bacaa.org

650 832-1544 

 
  

 

 

  

Friday
Jan062012

Lynn Sanguedolce 2 Day Workshop-New

Tom Poynor

Portrait Painting of the Head and Shoulder,  Alla Prima

 

Saturday September 21 & Sunday 22, 2013

2 Day Portrait Painting Workshop

 

Time: 10:00 – 5:00

Level:  All levels

Medium:  Oil Painting 

Course Description

This 2-day workshop explores a traditional method for painting a head and shoulders portrait working directly from the subject.  Each day will begin with a brief lecture and painting demonstration, followed by participants painting from the live model.  The focus of this workshop is to help students develop an understanding of head structure and the elements that go into creating a likeness while seeing and painting the subject in sequence.  Participants will be able to simplify the painting process by learning how to examine and translate observations of the light on the subject surrounded by atmosphere.  Topics such as color relationships, value structure and learning how to select from the subject will also be covered.  We will explore a variety of supports, brushes, and materials. PowerPoint presentations, group discussion, and individual critiques and instruction will be included.

 

 

Contact:

Info@bacaa.org
650-832-1544
Location BACAA Studios
345 Quarry Rd, San Carlos CA. 94070

Contact:
Info@bacaa.org650-832-1544
Location BACAA Studios345 Quarry Rd, San Carlos CA. 94070

Cost: $450

Please check the BACAA About US page for local accomodations and affordable housing. 

Terms and conditions must be signed prior to applying

By signing the Application Form you are agreeing to the BACAA Terms & Condition

BACAA Lynn Saguedolce (pdf)

 

Monday
Jan162012

Ryan Wurmser Weekend Mini Workshops Saturdays & Sundays 2013

Ryan Wurmser Weekend Workshops.

September 14/15, 2013

 

This 2-day figurative workshop offers dedicated students an opportunity to further develop their skills in painting and drawing from life. Students will benefit from critiques that are custom-tailored to their own creative pursuits. They will delve more deeply into their own practice with the added benefit of critical feedback. The dialectic will be centered on traditional practice in the life class and subjective concerns in regards to methodology and aesthetics. There will be a 12-hour pose over two days. Students may wish to do a long drawing or all prima painting or perhaps split the time evenly between drawing and painting. This is a teaching model that I have used often and I find highly effective and rewarding

Thursday
Feb022012

Ted Minoff Portrait Drawing & Painting Workshop- New

Portrait Drawing & Painting
August 5-10, 2013

6-Day Portrait Drawing & Painting

An intensive 6 day workshop will focus on foundational concepts in drawing and painting the portrait, including flat shape block- in, three dimensional, conceptualization of forms, structural anatomy, perspective, and the nature of light as it carves out volumes. Students will work on a single drawing and painting for the duration of the week, with a combination of individual critiques and instructor demonstrations. Students will push their drawings to the highest level of resolve, allotting time at the beginning of the workshop to construct a solid foundation and later giving form to the subtle distinctions that make the subject unique. Methods for toning paper and working on toned paper will also be explored.

 

Cost:Early Registration $750 Due Aril 30, 2013

Regular Registration $850 , After April, 2013
To insure you have a space reserved complete registration April 30, 2013

Ted Minoff Registration form (PDF)

Pay now by Credit Card or PayPal:
(Paypal and credit Card payments include additional fee) 

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying. 

Evelyn wrote: “Amazing workshop with Ted Minoff at BACAA. Thanks Linda Dulaney!”

Lucy wrote:”That was a Wonderful Workshop. You made us all feel so welcome. The perfect  enviroment, full of creative energy……..Much love Lucy”

 

Thursday
Jul192012

Steven Assael Portrait Painting Workshop September 16-20, 2013

5 Day Inensive Course in Portrait Painting

A few spots remaining

Purpose of Course: 

The focus of this class is to develop a thinking eye through the selective pursuit of form and color. Painting from life affords the opportunity for selectivity through the observation of changes that develop from moment to moment. Students must be aware of the variety of subtle changes observed in class, from the slightest shift of the model’s pose, to a change of color and tone due to a reflected light. All the variety of changes that occur informs a painting and becomes in some way a remnant of that experience. The process in representing those experiences as a unified whole is the challenge of painting. Student’s perceptual skills are conceptual concerns that give meaning and allow expressive direction to painting.

Student Learning Outcomes

Understanding drawing, tone, value and color with a unified direct application of paint is stressed. Simplification of forms and the gradual development of the parts in context with the whole are produced through the observation of light and shadow and warm and cool colors.

Topics to be Covered

This class will pursue direct painting from the model over a sustained period of time . Students are to develop rapid immediate starts establishing the whole at once. Understanding how to develop an initial structure that’s flexible to change and development are stressed.

Students will gain an understanding of materials and basic craftsmanship from establishing ground supports to a variety of techniques in oil paint using fatty over lean principles.

Cost: $1090 Early registration by March 30, 2013

Cost: $1150 regular registration after March 30, 2013
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying 

Pay now by PayPal or Credit Card:
(Paypal and Credit Card payments include additional fees)

Steven Assael Registration Form (PDF)

Thursday
Jul192012

Stephen Early September 2013

10 Day Intensive Figure Painting Workshop
September 30-Oct 11, 2013
A few spots remaining-class filling up
 
This workshop will focus on the fundamental principles essential to achieve a convincing three-dimensional representation of the human figure in oils.  These principles will be analyzed in a logical sequence beginning with gesture and continuing through to the study of color and its effect on the figure and its environment. Focus will be on prioritizing the information unique to each stage and establishing a cohesive balance between the use of abstract movements and shapes with structure and anatomy.
The workshop will be highlighted with demonstrations of these methods and concepts accompanied by question and answer sessions. The format of this workshop will accommodate students of all levels.  
The first week consists of repetitive exercises designed to extract specific information from the live model necessary to strengthen the early foundational stages of the painting.  The first four days will focus on short studies including the methods of  grisaille, and color study. Then one figure pose will be set for the remaining 6 days, Students will begin the long pose by problem solving with preparatory studies and begin to “block in” a painting with value and color.  The long pose will offer the opportunity to further develop a painting utilizing the concepts studied.
Day 1
The morning will focus on the opening steps of a painting, beginning with the gesture. Developing the ability to see the whole figure getting the main lines of movement down accurately and energetically. The gesture is developed in the next stage, bringing in an awareness of more specific shapes, proportions and structural landmarks. Next stage is to block in the main masses of light and shadow.
Day 2 
Building from the information of the previous day the participants will move through the gesture and block in stage into The study of light on form expanding the value range to designate larger pain changes, orientation and proportions of the larger masses.(Head, Torso, legs

his is a Brief description of my two week workshop format,This workshop will focus on the fundamental principles essential to achieve a convincing three-dimensional representation of the human figure in oils.  

These principles will be analyzed in a logical sequence beginning with gesture and continuing through to the study of color and its effect on the figure and its environment. Focus will be on prioritizing the information unique to each stage and establishing a cohesive balance between the use of abstract movements and shapes with structure and anatomy. The workshop will be highlighted with demonstrations of these methods and concepts accompanied by question and answer sessions. The format of this workshop will accommodate students of all levels.  

This is a little different from the drawing/ painting format. The first week consists of repetitive exercises designed to extract specific information from the live model necessary to strengthen the early foundational stages of the painting.  The first four days will focus on short studies including the methods of  grisaille, and color study. Then one figure pose will be set for the remaining 6 days, Students will begin the long pose by problem solving with preparatory studies and begin to “block in” a painting with value and color.  The long pose will offer the opportunity to further develop a painting utilizing the concepts studied.
Example of first two days:

Stephen Early registration form (PDF)

Cost: $1100 Early registration by June 30, 2013

Cost: $1250 Regular registration after June 30, 2013

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying

Pay now by PayPal or Credit Card: 
(Paypal and Credit Card payments include additional fees)

Friday
Jul202012

Anna Wakitsch Portrait Painting Sept 30-Oct 11, 2013

 

Anna Wakitsch Sept 30-Oct 11, 2013

Jewel-like Color for the Portrait and Figure in Oil

Course Discription

The focus of this two-week painting class is the poster study: a beautiful little tool for increasing awareness and sensitivity to the subtle interactions of light, color and vision.  During the first week, Anna will discuss key color concepts while demonstrating from the model each morning.  Each day after the demo, students will have painting time from the model as they are guided through a series of color study exercises.  These will start out quite abstract, and increase in detail as the workshop progresses.  In the second week of the workshop, Anna will demonstrate how to further expand the tecnniques of the poster study to create a small, jewel-like oil painting with sparkling facets of light and color.  Students will work on one long pose that continues throughout the week.  Some of the topics covered will be: the vocabulary to precisely describe and adjust color; averaging and optical mixing; how the eye and brain manipulate color information; field effects and scattered light; light on form and how to mix shading progressions; how the visual system is tuned to subtle color fluctuations in skin, and how this can help us mix luminous skintones. 

Bio:
Anna Wakitsch received her B.A. in Art Theory and Practice from Northwestern University.  In 2004, she began studying painting and drawing with artist Anthony Ryder, and in 2006 moved to Santa Fe, New Mexico.  Later that year she began working as Mr. Ryder’s teaching assistant at Andreeva Portrait Academy.  She then served as assistant instructor in painting and drawing at The Ryder Studio from its opening in 2007 until she returned to the Chicago area in 2011.  Anna currently exhibits at Haynes Galleries in Thomaston, Maine. 

COST:
Early Registration $860.00  Due by April 30, 2013
Regular Registration $1010.00 After April 30, 2013

Pay now by Credit Card or Paypal

Anna Wakitsch Registration (PDF)

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying

Tuesday
Nov272012

Patrick Connors Linear Perspective October 21-25, 2013

October 21-25, 2013

This 5–day intensive workshop is an introduction to linear perspective and will cover the essentials of perspective: including one–, two– and three–point perspective; and circles in perspective. Exercises include projecting a skull in two–point perspective, still life, and portrait drawing. The principles presented in this workshop provide a means from which the artist may improve independently in other classes or in his or her own work. Classes are limited to 12 students.

Patrick Connors is a 1980 graduate of the Pennsylvania Academy of the Fine Arts, Certificate Program. There, he studied primarily under Arthur DeCosta and was awarded the Perspective Prize. In 1982 he graduated from the University of Pennsylvania.

His work is exhibited internationally and in the past decade has been in solo or group venues at the National Academy of Design, Pennsylvania Academy of the Fine Arts, New York Academy of Art, Butler Institute of American Art, Woodmere Art Museum, Meredith Long & Company, Pierrepont Fine Arts, Arcadia Gallery, and Hirschl & Adler Galleries.
His paintings, drawings, designs, and murals are included and displayed in national and international collections, both private & public.
Awards include an Oxford University Summer Residency Fellowship in painting and anatomy [2002], a Pollock Krasner Foundation Grant for painting [1998], the Samuel D. Gross/Thomas Eakins Award for Significant Contributions to Medicine and its Surrounding Culture by the College of Physicians of Philadelphia [2007]; and was the select alternate for a Senior Research Fulbright Scholarship for Italy [1999].
He teaches in the Graduate School of the New York Academy of Art, Studio Incamminati, the Pennsylvania Academy of the Fine Arts, and Institute of Classical Architecture & Art: Beaux–Arts Atelier & Rome programs. Among the institutions at which he has lectured are Yale University Art Gallery, Water Street Atelier, Drexel School of Medicine, Classical America: Philadelphia Chapter, the Philadelphia Museum of Art.  He was a visiting artist at the Long Island Academy of Fine Art and the Savannah College of Art and Design. In October 2012
He will present a lecture at the Representational Art Conference., Ventura , CA.
Connors’ publications include: Through the Picture Plane: The Poetry in the Pictorial Space of Thomas Eakins,  The Oil Sketch and Representationist Thought in the Philadelphia School of Painting, The Legacy of the Pennsylvania Academy of the Fine Arts, and has been a consultant including monographs for Thomas Eakins, Maxfield Parrish and provided commentary on two books on Brook Taylor. His most
recent publication will debut September 2012: American Artist’s DVD on linear perspective.
Connors is featured in the November 2012 issue of American Artist Magazine and the January December issue of Plein Air Magazine.

 

Cost: $700 Early registration by June 30, 2013

Cost: $750 regular registration after June 30, 2013

Patrick Connors (PDF)

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying

Pay now by PayPal or Credit Card: 
(Paypal and Credit Card payments include additional fees)

 

Tuesday
Nov272012

Darren Kingsley Portrait Drawing & Painting Workshop

MontyDarren Kingsley
Taught at BACAA 2011

A few spots remaining - class filling up

October 28-Nov 8th 2013 

Featured on Star Wars Visions book 2012

Students will work on one drawing/painting over the course of the workshop.  We’ll begin with a long form drawing to develop the portrait to a solid structural finish using simple light and shadow shapes as well as locating landmarks throughout the head. Once this drawing is ready students will transfer it to a fine textured linen. Then begin blocking in large lights and shadows by simplifying them down to a few values, in the lights and shadows then working with a middle range of values. This will enable the student to develop paintings at a slow and methodical pace, developing each stage to a sound level before moving on to the next, Building from a structural drawing, applying values in a simplified large form manner and finally building the full form in the final layers.  The focus will be on structure, anatomy, proportion, perspective, light direction, and proper understanding of edges.Darren Kingsley is a realist painter currently residing in Philadelphia, PA. His training began at The Atelier in Minneapolis, MN. In 2001 he moved to New York City to study with Nelson Shanks at the Art Students League of New York and shortly thereafter moved to Philadelphia to study at Shanks’ newly opened Studio Incamminati. His works are in many public and private collections including The Union League of Philadelphia, The Forbes Magazine Collection and Lucasfilm, Ltd. He was a recipient of the American Society of Classical Realism Scholarship. He exhibits at the John Pence Gallery in San Francisco, CA. and teaches at Studio Incamminati in Philadelphia, PA

 

 

Cost:  $1100.00 Early Registration by May 30th -

Cost: $1250.00 Regular Registration after May 30, 2012 - 

All tuition fees are non refundable and non transferable

Pay by PayPal or Credit Card
(PayPal and Credit Card payments include extra fee)

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying
Follow PayPal instruction all the way through for credit card

Darren Kingsley Registration Form (PDF)

Thursday
Feb142013

Neilson Carlin Figure Utilization- 2014

Figure Utilization in Oil -

May 26-30th 2014

This workshop addresses the complexities of putting multiple figures together to create a narrative composition

This workshop will focus on putting individual figure studies together to make a well composed whole. From idea brainstorming to color finish, we will cover the basic concepts necessary for creating a multi-figure narrative composition. Lectures include the “Six Line” method of figure drawing, creating rounding studies in monochrome, scaling figures in basic one-point perspective, and modes of composition and their use in narrative picture making. The goal of the workshop is to sketch a variety of poses from the live model, practice rounding their form with a limited color palette, then using the figures to create a completed color composition by the weeks’ end. Demonstrations will accompany the lectures, and individual instruction will be given when needed. 
Day One: Figure drawing – Use the “Six Line” figure approach to complete at least three usable figure drawings from life.
Day Two: Figure painting – Take the drawings from Day One and create studies from life using a limited color palette.
Day Three: Perspective and Composition – Learn how to create a ground plane in one-point perspective and scale figures in space, discuss the four basic compositional modes with examples from art history, and begin compositional thumbnails using the figures from Day One. 
Day Four: Continue thumbnails to clarify a concept using one of the compositional modes, and begin finished line drawing based on a chosen thumbnail.

 

When he was a boy, Neilson Carlin wanted to be Catholic priest – a strange desire for one raised as a Protestant. However, adolescence brought the realization that his true calling was his other great love: painting. Neilson completed his undergraduate training at the University of the Arts in Philadelphia, receiving a BFA in illustration. He concluded his formal studies privately under figure painter Michael Aviano, a pupil of the legendary instructor and illustrator Frank J. Reilly. Through Aviano, Neilson traces his instructional lineage directly to the Ecole des Beaux-Arts of 19th century France. Neilson specializes in figurative and still life painting. In addition, he operates Studio Rilievo School of Classical Painting in Kennett Square, PA. Through Studio Rilievo, he is training the next generation of artists to advance the classical realist tradition.

His work has been exhibited at the Arnot Art Museum, the Arts Club of Washington, the Louise Wells Cameron Museum, The Salmagundi Club and the State Museum of Pennsylvania. In 2003, his painting “Transcendence” was awarded First Place in the Still Life category of The Artist’s Magazine’s 20th Annual National Art Competition. In 2004, his painting “Emergence” received Second Place in the Portrait category of The Artist’s Magazine’s 21st Annual National Art Competition. Both paintings were selected from over 12,000 entries nationwide. His work has been published in the Spring 2006 American Artist Drawing Magazine, Strokes of Genius: The Best of Drawing and How Did you Paint That? :100 Ways to Paint Still Life & Florals. In 2008, he was the recipient of the First Place award in the Nationwide Juried Catholic Arts Exhibition at St. Vincent College in Latrobe, PA.

After two decades in the commercial and gallery markets, a conversion to Catholicism prompted Neilson to commit his career to working for the Church. He was one of just four artists commissioned to adorn the Shrine of Our Lady of Guadalupe in La Crosse, WI. This 14-month long project culminated in the execution of four, 11’ x 4.5’ multi-figure paintings of Catholic Saints Gianna Molla, Peregrine Laziosi, Therese of Lisieux and Blessed Father Miguel Pro. Other clients include The Cathedral of the Immaculate Conception in Kansas City, MO, Our Lady of Guadalupe Roman Catholic Church in Buckingham, PA, Epiphany Roman Catholic Church in Normal, IL, and St. Rocco’s Roman Catholic Church in Avondale, PA.

Hours: 10:45-5:00pm daily
Location: BACAA Studio 345 Quarry Rd San Carlos CA 94070 

Cost: $700 Early Registration October 30th, 2014
Cost: $750 Regular Registration  after October 30th 2013

Neil Carling (PDF)

Partial Payments not accepted. All registration fees are non refundable and non transferable

Terms and conditions must be signed prior to applying.  

Location: BACAA Studios 345 Quarry Rd. San Carlos, CA 94070

Pay now by Paypal or Credit Card

(PayPal and Credit Card payments include an additional fee) 

 

 

 

 

Friday
Feb152013

Dennis Cheaney 


OrenDennis Cheaney
Taught at BACAA 2009
Please check the BACAA About US page for local accomodations and affordable housing. 

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